国内首档为都市男女打造的情景社交节目,4男4女限时一天,分别在三个沉浸式场景中,进行三次速配,从而逐渐了解彼此,最终找到最适合自己的恋爱对象。张纯烨、萧敬腾、王晨艺、朱正廷、连淮伟、大张伟、佟大为、蒲熠星、蔡国庆、王耀庆及专家韩卓将在现场开启八倍镜吃瓜模式,在热闹的氛围中,帮助素人快乐脱单。
清末民初时期,读书文人皆不重气节,急功好利,凡事尽为一己之私;剧中叙述一段人鬼奇恋,点出读书之所以为用,非只是加官晋碌,进而达经世济民之实;剧中之剧情,弦外之意颇深,耐人寻味……
薇卡(苏菲•玛索饰)是个13岁的女孩,不同于班上的其他同学父母离异的状况,她拥有一个完整的家庭,虽然她总是觉得被母亲忽略,伴随青春期到来的,除却敏感的对父母之爱的需要,还有对异性情感的渴望。然而,父母的感情出现了裂痕,母亲与薇卡的德语老师燃起了爱火花;而在舞会上认识的拉乌尔,让她感受到初恋的美好同时也领会了爱情的伤害。有了初吻之后,爱情就能保鲜吗?13岁的初恋能持续到多久?苏菲•玛索凭借此片成为欧洲影坛著名的小明星。
AfternewCIArecruit,KelleyChandler(Polish)isseriouslyinjuredduringamission,survivingonlyonlifesupport,hiswifeTess(Agron),aformerCIAoperative,becomesdeterminedtofindoutwhathappenedtoherhusband.AsthedetailsofKelley’slastmissionunravel,showingthathisaccidentwasaninsidejob,TessputseverythingonthelinetokeepKelleyoutofharm’sway,evenifthatcomeswithdangerousconsequences.
Afterafailedrobbery,agangof3noblethieves:Zuza,KingaandAlicjahidesinaquietnursinghome.Whilethepoliceareontheirheels,thegangcontinuestheiractivitiesatthecenter,givingitselderlyresidentsasecondyouth.
在北京这个现代感与传统文化相互呼应、充满着机遇与压力的城市,落座在CBD脚下一条安静的胡同里的小馆儿,就是那个让多种元素碰撞在一起酝酿发酵的汇集地。它没有醒目的招牌和豪华的装修,使人路过的时候容易忽略它。但熟悉的客人都知道,在这个温暖的小小空间里可以卸下一天的疲惫,享受一段舒适的时光。于是便有许多尘封在每个人心中的故事悄悄流淌出来。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
灵异妙探(Psych)是一部美国侦探/罪案题材的喜剧,讲述一个年轻的警署顾问Shawn,有敏锐的观察力和缜密的推理能力,通过罪案现场的一点点蛛丝马迹和犯罪嫌疑人的不经意的小动作,就可以推理出罪案经过和真凶;而喜欢搞笑和恶作剧的Shawn则故意装做自己会通灵探案。
一次美国南方家族聚会,促使麦凯伦一家放弃在西雅图忙碌快节奏的生活,前往父亲长大的小镇,那里的人们生活节奏慢,到教堂做礼拜是日常的主要活动。麦凯伦一家并不适应南方内陆的生活,尽管如此,他们也在逐渐了解这个他们不曾在意的大家庭。该剧集由艾美奖得主洛雷塔·迪瓦恩(《实习医生格蕾》《杰洛向前冲》)和蒂亚·莫里(《Sister, Sister》《Instant Mom》)主演。
叶小陌是一个出生在青牛山村的平凡小姑娘,因为受不了家里无趣的生活和她那个缺心眼儿的娘,她决定出门去江湖城里闯闯,不料半途就迷路,误打误撞遇到了同样赶去城里的小姐妹裘婉儿,随后小陌将计就计跟着婉儿踏上了去竹下居的求学的路程。接着出身农村大大咧咧的小陌在竹下居里遇上了谪仙般的居主和大有来头的公子慕容竹影,小陌对居主可谓一见钟情,却遇到重重厉害的情敌打压,而小陌不知道自己随身携带爹生前留下的这本《药祖乾坤注》竟然和竹下居前居主的生死息息相关……到底小陌将来和自己的这位心上人会是爱人还是路人、甚至是仇人呢?故事由此展开……
——有想要实现的梦想! 高中毕业后,进入游戏制作公司“Eagle Jump”的凉风青叶,开始参与她自幼热衷的游戏《妖精物语》系列的最新作《妖精物语3》的制作。 与使自己立志成为角色设计师的契机——八神光相遇,由此开始,在可靠的前辈们帮助下,一点一点成长的青叶。 之后《妖精物语3》也顺利完成,从青叶入社开始刚好过了1年,又到了“Eagle Jump”迎来新员工的季节。 曾经是个一窍不通的菜鸟的自己也终于要成为前辈,一想到这里就无法抑制心中激动的青叶。 “我是前辈凉风青叶哦!请多指教!”青叶在“Eagle Jump”的入口重复地练习打招呼……。 描绘在游戏公司工作的女孩子们日常的工作少女喜剧再度开幕!
这是一部反映现代农村生活的轻喜剧影片新世纪的中国农家正享受着耕耘的欢娱,享受着新科技、新事物带来的美好生活的乐趣,互联网、WTO、申奥……所有新鲜事儿没有他们不知道的。但他们在那些“传统”问题上,还是有些想不开。这不,一对老“冤家”常老三、吴老四,为了儿女冬瓜、红豆的婚事,摆起了比富的擂台,从而引出一串令人啼笑皆非的故事。影片将突破以往农村喜剧的模式,透过具有时代特点的情景和故事,让民族文化的古朴与时尚在此交融。该片的演员网罗来一大批“古今中外名士”:在《水浒传》、《窦尔墩》、《笑傲江湖》等影视作品中饰演鲁智深、不戒和尚的臧金生,在片中饰演“乐天”吴老四;《笑傲江湖》里华山派端庄的宁女侠刘冬,这次是他的女当家。主演过《夕照街》、《遭遇激情》、《大捷》等影视作品的袁苑饰演“赖皮”常老三。此外,加盟该片的还有刘希媛、李修蒙、张琰琰等一些新秀;“大众妹妹”于文华也来助兴,当起了“老板娘”。
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