影片围绕失去父母的姐姐在面对追求个人独立生活还是抚养弟弟的问题上展开了一段细腻感人的亲情故事。
都市中五个婚爱观截然不同、年龄亦差异较大的女人:在保守环境中长大的章迎(梅婷)人已28岁,却从未尝恋爱滋味,发誓要把贞操留到与心爱的男人结婚那夜;小章迎几岁的“白骨精”(李小璐)性情泼辣,一心要找钻石王老五下嫁;“白骨精”的好姐妹是位“富家女”(小宋佳),为找到真心待她的男人,将自己扮成为生活打拼的普通女孩;大章迎几岁的叶(邬君梅)被丈夫抛弃,携子过着惨淡的日子,十分渴望身边能有个男人作支撑;人过50的高姐(元秋)则主动将嫌她是黄脸婆的丈夫踢下床,但过了一年多单身生活后,也想身边再有个男人。 持怎样的婚爱观,便会有怎样的恋爱经历:章迎在假面舞会上与“海归”的赵大(耿乐)又见钟情,恋爱谈了大半年,两人仍在肉体上绝对纯洁;“白骨精”相中某处在发展中的公司的老总(段奕宏),向原公司请假半年来到他的身边,开始拼命自造与他亲密接触的机会;“富家女”因为一道菜结识某酒店的“10号厨师”(李晨),冲着他的体贴与单纯,不计他的贫穷与他开始浪漫的恋爱,却也没忘暗中将他考验;叶遇到从婚介所拿到她资料、主动将她找上、自称在神秘单位供职的王莽(葛优),王莽为她和儿子所做的件件事都强过前夫(刘震云)一百倍,令她以为迎来爱情上的第二个春天;高姐则结识小她好多岁、经历复杂的网友(郭涛),这个男人亦一次次带给她感动,她也甘心为他付出全部。 五个女人恋爱谈得有甜有酸,五个男人也渐渐显出更多面,“真命天子”里,既有上天钦赐,亦有情感骗子、有缘无分的过客和想改过自新的浪子。
王汉文(许绍洋饰)出身台湾富商家庭,自幼习武,因对经商不感兴趣,前来武校深造。武校女教头钱月珊(杨恭如饰)为替父还债涉足此业,她与王汉文一见如故。王父闻得此讯,用金钱作筹码要月珊劝儿子回台继承家业,急需用钱还债的月珊认为自己损失不了什么,于是假戏真做,对汉文展开了凌厉的爱情攻势。不法富商杜南(王道饰)靠走私起家,他有一个不思进取的儿子杜恒风(林志颖饰),为让儿子回心转意,他巨资买下武校。荒唐的是,他竟然爱上了警方卧底金巧莉(刘亦菲饰),而刚刚失恋的金巧莉已不再相信什么爱情。
本剧改编自Audrey Niffenegger的同名小说,讲述Clare及Henry之间复杂、科幻的爱情故事。 因为Henry拥有穿梭时空的能力,但他却没法控制,因此两人虽然相爱却经常没法长久待在一起。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
3年前的交通事故成为植物人的(冰雹勋)。他在病房里所有的世界。还有整天躺着看蚂蚁似的一步。有趣的事情是周围人的谈话中,他们的秘密。还有他那一天的记忆,将来的结果推测,本人飞镖一样又回来了。还有不正当的事,他的想象力越华丽。
年轻的FBI特工强尼·犹他(卢克·布雷西 Luke Bracey 饰),潜伏到一队喜欢寻找刺激挑战的盗匪里,该队伍由富有个人魅力的鲍迪(埃德加·拉米雷兹 Édgar Ramírez 饰)领导。这些盗匪被怀疑是在用极不寻常的方式进行着系列犯罪。在与鲍迪这一伙人的交往中,犹他发现自己无可自拔的与这伙人产生了伙伴情谊,犹他陷入了职业伦理与追求真我之间的矛盾,他放弃了自己的一切,加入到了对人类极限界的八项巅峰挑战的追寻中……
多年以前,在中国某个偏远的地方,一个盲童跟随师傅学琴,师傅告诉他有一道药方可以治愈他的双眼令他重见天日,而这道药方必须在他弹断一千根弦后方能从琴匣里取出来,否则就没有效用。盲童在师傅死后,弹断了一根又一根的琴弦,不顾人生其他。在岁月的磨砺下,小少年成了老琴师,并被村民们尊称为“神神”(刘仲元饰)。村内出现任何纠纷,大家总爱问神神排解。 神神有一个瞎眼徒弟石头(黄磊饰),他与村女兰秀(许晴饰)偷情被村民发现,遭到痛殴,兰秀因此愤然绝去。黄天不负苦心人,神神终于弹断了千根弦,只为师傅说那时方可得到药方、见到光明,然而事情却有着意想不到的结局。
影片展现未来世界中,由于自然规律暴露出的致命缺陷,整个世界陷入混乱中,或许宇宙的毁灭就在眼前。波兰人约翰来到纽约与妻子、著名滑冰选手艾琳娜签署了离婚协议,这对青梅竹马的恋人由于人生方向的不同无法再共同生活。但在这充满绝望的崩溃前夜,艾琳娜发现其实一切都不重要,只有爱是最值得去珍惜并为之奋斗的。于是她决定与约翰一起重建他们之间的关系
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